Sakalli
60s70s rock, progressive rock, folk rock and many other weird-o stuff...

14.01.2008.

Alan Parsons Project - Pyramid (1978) (@256)

(Review from progarchives.com)

Alan Parsons Project's third album references to pyramid power and ancient Egypt surface repeatedly, the album is called "a view of yesterday through the eyes of today". The theme of rise and fall is prominent throughout.

One of the highlights in Alan Parsons Project's career, 'Pyramid' establishes a fusion of both their previous albums : The idea is not cloning themselves for the sake of it, but mainly reaffirming their own signature sound, by managing to write and produce a repertoire that flows solidly from beginning to end, although there's not a continuous link between all nine tracks.

'Voyager' kicks off the album as a reflective starter, leading to 'What Goes Up...' (a meditation on the futility of all earthly things), then leading to 'The Eagle Will Rise Again' (a final melancholy thought upon determination for resurgence): the threesome are really very well integrated, thus stating the duality of ups and downs as the central point of 'Pyramid'. Next, 'One More River' reincides on the strength of determination in a pop-rock context, only to be segued into 'Can't Take It With You', which reminds us that by our time of dying, we shall leave all the things we struggled for behind us - the opening whistling feels quite creepy, actually. 'In the Lap of the Gods' is the most splendorous number in the album, a dazzling manifestation of symphonic progressive where the orchestra, choir, and rock band interact with full majesty. Its abrupt end is followed a couple of seconds later by the bang of a gong, which is where the funny 'Pyramania' starts (something like Alan Parsons Project's version of Supertramp's 'Dreamer'): its folly ambience is accurate for the lyrics, which mock at the new age pseudo-mystical stuff. 'Hyper-Gamma-Spaces' shows APP drawing closer to the electronic ambiences of J-M Jarre and Kraftwerk, while getting "rockier" than the former and not as "robotic" as the latter. This lush electronic exercise seems to be a celebration of the cosmic powers of creation and regeneration, but before things get too exulting, here comes 'Shadow of a Lonely Man'. This overwhelming symphonic ballad is nothing but a self-pitying, dramatic portrait of riches to rags, which serves as a reminder of the fact that all men and all things, no matter how grandiose, share a common fate of death and oblivion.

All things must pass, and 'Pyramid' states it beautifully.

Line-up :
- Stuart Elliott / drums, percussion
- Ian Bairnson / guitars
- David Paton / guitars, bass, vocals
- Alan Parsons / acoustic guitar, keyboards, vocals
- Eric Woolfson / keyboards
- Duncan MacKay / keyboards
- Andrew Powell / orchestra & choir arranger and conductor
- Colin Blunstone / vocals
- Dean Ford / vocals
- David Paton / vocals
- Lenny Zakatek / vocals
- Jack Harris / vocals
- John Miles / vocals

Track List :
01. Voyager (2:24)
02. What Goes Up... (3:31)
03. The Eagle Will Rise Again (4:20)
04. One More River (4:15)
05. Can't Take It With You (5:06)
06. In The Lap Of The Gods (5:27)
07. Pyramania (2:45)
08. Hyper-Gamma-Spaces (4:19)
09. Shadow Of A Lonely Man (5:34)

Link in comments.

Original Post Date : 25 Jul 2007 | 4:37 AM

14.01.2008. u 00:20 • 5 Comments#

<< Arhiva >>

Album Index

Freq Asked Questions

Bands Valuing Culture

Catasto Elettrico
We're Late for Class

Other Links

Totally Fuzzy